Wide-angle head-to-head: Sigma 14mm f2.8 EX Aspherical HSM vs Carl Zeiss Distagon T* 2.8/15 comparison at DXO Mark

This is a two-in-two test, the DXO Mark labs check out the Zeiss lens performance difference between Canon and Nikon mounts (5D Mark II vs D3x) and then pits the Zeiss versus the Sigma: 

"In DxO Mark’s testing the quality of the Zeiss lenses over the Sigma lens is very clear. A DxO Mark score of 17 for the Sigma lens is an OK score for a lens with this extreme wide angle: there are few wider corrected lenses on the market to cover full frame 35mm so if the lens were considered in isolation the score might possibly be accepted as a reasonable consequence of the focal length. However, when you look at the other lenses in this category the score does not look quite as good. Zeiss on the other hand have a shining DxO Mark score of 23 for their Nikon version, the highest for any lens of 20mm or wider with a Nikon FX mount (the Canon version scores a creditable 21). The Zeiss lens is much more expensive, nearly 4 times the price of the Sigma, so there will

obviously be people for whom the Zeiss is just too much.

The breakdown of the scores does give some relief for the Sigma lens, the three measures that can be corrected: Distortion, Vignetting and Chromatic Aberration all contribute quite heavily to the poor overall score and the proper application of digital corrections using DxO Optics Pro will certainly improve the overall situation immensely. However the sharpness score of just 9 P-Mpix (bearing in mind that the tests were carried out on a Nikon D3X which has a sensor of 24Mpix), means that post production is not going to redeem the lens entirely. Zeiss’s 15mm does much better, with a score of 16 P-Mpix for the Nikon version and 13 P-Mpix for the Canon. The Zeiss Distagon T* 2.8/15 in both it’s versions handles distortion and Chromatic aberration well. Vignetting is just what you would expect for both, super-wide lenses: the corners of the frame are darker by 1.9EV on the Zeiss and 2.6EV on the Sigma."

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