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Nikon D800/D4 troubles, and Nikon's response
Canon's fix for the 5D mk III light leak issue is a bit of black tape.
Olympus E-M5 review by DP Review
Adobe Lightroom 4.1 Rc2: Still buggy according to many users.
Nikon D800 VS Canon 5D Mark III: DXO verdict is out, Canboys hide themselves in shame.
Olympus OM-D E-M5 Field review by Michael Gakuran
Nikon D800 Review by Nasim Mansurov
Adobe Photoshop CS6 compatibility: Windows XP yes(!), Windows Vista no, Apple 64 bit only.
Patrick Butler reviews the Canon 5D Mark III and shoots a wedding with it.
Canon 5D Mark III review roundup part 1
Optimising the Panasonic GH2 for ISO 12,800 @ EOShd
"Myth busting time! Yes the GH2 really can do clean, detailed ISO 12,800 in low light, and it is the best current DSLR for low light shooting, with an organic fine grain noise pattern like the Canon C300. How? It all depends on picture profiles, as EOSHD shows in this video tutorial.
There’s more footage below, take a look at this shot in Shanghai at ISO 12,800 if you have not already seen it. I recommend downloading and projecting it or putting it on a large plasma screen to get a sense of the fine texture and how nice the noise is. It is very film like."Links:(Maybe) Related articles
Panasonic Lumix DMC-GX1 Micro Four Thirds camera review @ Engadget
Before we go on to the main dish, here's a reader commentary on the same Engadget page:
"Why does everyone simply forget panasonic G3? It has the same sensor as GX1, marginally bigger body but with EVF builtin, an extremely handy tilted screen with touch focus and same resolution as gx1. It's basically the same or even better than GX1!!
Olympus OM-D/E-M5 first full images appear, fitted with grips and lens. (Updated!)
Dials! Dials everywhere, OM-D=Oh My Dials? Olympus really means business with this one. No fancy designer needed here, just the best example of retrography this editor has ever seen, and yes, i include all the recent Fujifilms, and the Panasonic GX1.
RED Scarlet versus Panasonic GH2 @ EOSHD
"Straight off the camera the GH2 can look great, but the Scarlet holds up far better in post, where you are able to change pretty much any aspect of the image to a massive extent. This simply isn’t possible with DSLR footage.
