Electronic Viewfinder with Interchangeable Lens or mirrorless interchangeable-lens camera

Diglloyd: Fujifilm X-E1 Has the Same Fractal-Like Artifacts as the X-Pro1, despite color and overall image quality being exceptionally pleasing.

The entire image suffers. Fabrics and similar suffer from severe problems

"I reported on problematic X-Pro1 artifacts back in September (and in my original review). This problem remains in the X-E1, and it is one of the few rare cases where the image quality must be rated as unacceptable and unusable. The cause and what is to blame do not matter, but the results do. The crop below is actual pixels— it has not been resized or altered after RAW conversion (in ACR). It has been sharpened, but that does not create the problem, it only makes it more obvious.

Observe that some types of detail are fairly normal looking (ruler marks, eyes, skin, lips), but that the hair and green woven . . . read more

Olympus M.Zuiko Digital ED 60mm f/2.8 macro lens review at TheDigitalStory: Quiet, precise and sharp, very good value.

"I rarely shot with this lens at the "default" 0.19m - Infinity setting that is highlighted in silver on the side of the barrel. I was either working close at 0.19m - 0.4m, or shooting portraits and sports at the 0.4m - Infinity setting. By working this way, I enjoyed fast autofocusing throughout the shoot. If you want to focus manually, the wide, well-dampened focusing ring is a joy to operate. In fact, it works so well in combination with the electronic viewfinder on the OM-D, that it's actually pleasurable to turn off the autofocus and work manually. I love lenses that give me this option. . . . read more

Sony NEX 6 review at ExpertReviews: Except for a few minor niggles, this is very nearly the perfect compact system camera.

Sony NEX-6 Black with lens, Front left angle.

"Along with the sharp screen and viewfinder, up to 9.6x temporary magnification and a peaking mode that highlights high-contrast (and thus, sharply focused) parts of the image, this is as good as it gets for manual focusing with a compact system camera. We only wish that there was a hardware button for toggling between auto and manual focus. As with other CSCs, Sony NEX cameras don't include switches on their lenses, but whereas the NEX-7 has a physical manual focus switch on the back of the camera, the NEX-6 requires a trip to the menu." . . . read more

Panasonic GH3 vs GH2 comparison and initial thoughts by Noam Kroll: Many big and small improvements, but the now much lower price of the GH2 makes it a still solid proposal for many shooters.

Panasonic GH3 black with articulated lcd screen

"You can now remotely control your camera from your tablet or smartphone. By downloading the Lumix Link app on your mobile device and transmitting a Wi-Fi signal from your GH3, you can instantly use your phone, tablet, etc. as a wireless monitor, hit the record button, change focus by tapping (on electronic lenses) and much more! I will personally be using this function soon for an underwater shoot, where I will operate the camera from above ground… That is if the app that is required starts to work properly. . . . read more

Olympus Pen E-PL5 review at DigitalCameraReview: Versatile for both amateur and seasoned photographers.

"The Olympus E-PL5 has a lot going for it: great image quality, quick controls, a lightweight body, a large screen, fast focusing, and does it all at a pretty great price tag. The camera will be one that both beginners and enthusiasts will be able to pick up and shoot with little issues from the very start. Olympus has made the ergonomics extremely versatile by making it a point-and-shoot camera style body with a large LCD screen that mimics the feel of a TLR experience. This screen will also be of great use to people shooting video. The overall compact package makes it a great choice for vacations or an every day camera. . . . read more

Panasonic Lumix G X Vario 12-35mm f/2.8 lens test report at Camera Ergonomics: mounted on a matching body like the GH3, it is fully capable of taking on a professional photographic role.

"Since the advent of the Micro Four Thirds format in 2008, there has been some uncertainty,  dare I say confusion, about the place of M43 in the camera world.  Some thought  it would be a platform for compact camera upgraders, some saw it as a "gap filler" between compacts and DSLR's.  I have always seen it as the format best positioned to supplant the APS-C  DSLR  as the most popular interchangeable lens system. Until now this prospect has not been realised due to a lack of sufficiently convincing M43 products. That has started to change. The Panasonic 7-14mm f4 has always been a pro . . . read more

Panasonic GH3 Ongoing extensive video focused review at ProCoalition: Overall very good, but a mixed bag by some aspects.

Panasonic Lumix GH3 black with 12-35mm lens.

"If you need dual dials, a built-in intervalometer, in-camera HDR, the silent electronic shutter, unhacked high-bitrate video recording, and/or a headphone jack, the GH3 is clearly the way to go. If you need the sharpest, clearest EVF available; you’re happy with 24 Mbps AVCHD; and you can live without the features the GH3 adds, the GH2 is 90% of the camera for 50% of the price.

Bottom line: the GH3 is a very capable MFT still camera; a step beyond the GH2 with a price to match. But if you’re looking . . . read more

Ongoing Sony NEX-6 Review and user experience log at SoundImagePlus.

Sony NEx-6 Black with lens, Front left side.

If you like images, a whole lot of images embedded in reviews, well, this is made for you. Clearly this guy loves photography, and his NEX6:

"I will do some ISO tests and comparisons for the NEX-6, but only when the sun stops shining. Yesterday I managed three (very cold) locations with my newly arrived Sigma 19mm f/2.8 and Voigtlander 90mm f/3.5 Apo Lanthar lenses. The Sigma is my second, and as is the way I bought a new one for less than I sold my old one for. The princely sum of £99. . . . read more

Nikon 1 Nikkor 18.5mm f/1.8 lens for CX format Lens Review by Craig Litten: It easily competes with the big guns, and for just a fragment of their price its a real winner.

Nikon 1 Nikkor 18.5mm f/1.8 lens black

"If you’re a Nikon 1 owner (whether the J1, J2, or V1, V2) this lens is a no-brainer, just buy it. For $186.95 it’s well worth it. It finally gives Nikon 1 owners a fast option for low light. Although I think files out of the V1 are very pleasing up to and including ISO 800, and sometimes even ISO 1600 if exposed correctly, this will give users an option to shoot at much lower ISOs in a given lighting situation, and as you can easily see from the sample photos, some fairly nice bokeh.

If you are not currently a Nikon 1 owner, maybe this lens and the currently ridiculously low price of the wonderful V1 will . . . read more

Olympus Pen E-PL5 review at Ephotozine: It inherits most of the good stuff found in the E-M5 and comes at a much lower price.

Olympus E-PL5 front black with lens.

"The Olympus PEN Lite E-PL5 features an updated tilting 3inch touch screen, with better handling than the previous Lite E-PL3. The camera doesn't feature a panoramic mode, but does include a built in HDR bracketing mode, although unfortunately this doesn't auto-stitch the photos. The Live Time feature inherited from the Olympus OM-D E-M5 is an excellent feature.

The camera's image quality is vastly improved over the previous PEN cameras, inheriting the 16 megapixel sensor from the . . . read more

Nasim Mansurov asks "What went wrong with Nikon 1 V1", but you're all probably too busy scooping up the remaining stock to read that. But it could also be a trick from Nikon to lure users to the 1 series mount :)

Nikon 1 V1 black, front, with 10-30mm lens.

Bad product? Bad marketing? Predatory pricing? A simple act of desperation? Or everything above? Nikon has just slashed the price of the Nikon 1 V1 kit (with the 10-30mm VR lens) again, down to $299. A product that sold for $899 exactly one year ago when I reviewed it. Wait, there is more – the Nikon 1 J1 camera, which has far less impressive specifications sells for $100 more. Doesn’t make sense, does it?

How can a product get 3 times cheaper in less than a year? Usually, you don’t see a 66% discount on an electronics product . . . read more

Nikon 1 Nikkor 11-27.5mm f/3.5-5.6 CX lens review at CameraStuffReviews: Smaller and lighter than the Nikkor 10-30mm, but comes with a shorter zoom range and a susceptibility to flares.

Nikon 1  Nikkor 11-27.5mm f/3.5-5.6 CX lens white.

"The Nikon 11-27.5mm is a light and very compact lens with a versatile zoom range. In terms of image quality, it does not remain behind on an SLR lens. The lens delivers sharp images at all apertures from center to the outer corners, while lenses for an SLR are usually less sharp in the corners than in the center at full aperture. Compared to the  Nikon 10-30 mm , the Nikkor 11-27.5mm lens is 1 cm or 33% shorter than the  Nikon 10-30 mm  lens. In our Nikkor 11-27.5 review, this lens draws slightly sharper than the  Nikon 10-30 mm  on a Nikon J2, which we have tested on a Nikon J1. Nevertheless, with the naked eye, you will not detect differences in quality between the two lenses. . . . read more

Panasonic LUMIX G X VARIO 35-100mm F2.8 Review at Frugal Film Makers: Fast and sharp, coupled with the 12-35mm it is twice nirvana.

"I have to say it has been worth the wait.  This lens will get a lot of use by me.  Panasonic pulled out all the stops on this one as well.  Is as good as we thought it might be?  Yes!  What more could we ask for?  Some are saying the price is to high, but this is a “luxury” lens like the one from the other guys.  Their’s is much bigger, heavier and expensive.  What we get for this expense is a lens that bring MicroFourThirds into the big leagues with it professionalism with a fast tele zoom.

When Panasonic showed the prototype of this lens they also showed a 12-35mm F2.8. O.I.S.  This new wonder tele zoom . . . read more

Ongoing Panasonic GH3 review by Nick Driftwood at Vimeo, part II. (Updated, Part III, creative control modes, now online)

Panasonic DMC GH3 with portrait grip, rear side.

"A daytime run thru of the main picture scenes/(profiles), Scene Guides and Creative Control. Many of these effects are to be found on other Lumix cameras - the GH3 just happens to make them look so much better with the availability of high bitrates. Shot in the UK rain, handheld and cold, I think I'm excused for the rather hasty collection of wide 'fixed' shots but it gives you a rough idea of what 'style' you can expect of your pictures in-camera, without the grading. . . . read more

Olympus Pen E-PL5 review at the Phoblographer: It is not perfect when it comes to body details and menus, but the image quality is near the top of the class.

Olympus E-PL5 front black with kit lens.

"The Olympus EPL5 is a really excellent camera and the company got a lot right in its creation. The excellent image quality combined with its awesome autofocusing abilities and the beautiful LCD screen make this a real winner in my book. However, the menus are still a bit too thick for my liking, as is the camera. The EPL5 is significantly thicker than previous pen cameras, and doesn’t even fit in my premium pen case. Also, I really wish that the LCD screen were a higher resolution.

Many people will like this though: the camera has excellent battery life. With that said, it also has a brand new battery: in fact, it is larger than the OMD EM5′s. And that is very weird." . . . read more

Sony NEX 6 review at Trusted Reviews: A pretty solid middle road in the NEX lineup.

Sony NEX 6 black, with lens.

"he Sony NEX-6 bridges the gap between the flagship NEX-7 and the more consumer-orientated NEX-5R, borrowing features from both models. From the NEX-7 it takes the bright and highly detailed electronic viewfinder, while from the NEX-5R it takes the built-in Wi-Fi connectivity. Coming in around £140 cheaper than the NEX-7 and yet sporting a similar feature set, the NEX-6 certainly represents good value for money. If, however, an EVF isn’t a ‘must-have’ feature for you then the NEX-5R probably represents a better investment. Image quality from the NEX-6 can be excellent at times, . . . read more

AF speed duel at m43.eu: Olympus OM-D E-M5 vs Canon EOS M, ok, this is not funny any longer.

Canon EOS M black, front, with speedlite attached.

"At the beginning of the planning that somehow I will discuss this movie, but after some thought, I leave it - mercifully - no comment . Just one note: it was a battle of the Olympus E-M5, but just as quickly set the focus two new PEN E-PL5 s and E-PM2. Also, a comparison with Panasonikiem G5, or GH3 would GF5 very similar result.

Well, the first Micro Four Thirds mirrorless cameras also were not as fast as the latest models. What remains is to wish Canon to the rapid development of the system." . . . read more

Fujifilm Finepix X-E1 review at Cnet.asia: Excellent image quality that comes with a steep price, and also, some AF speed and accuracy issues.

Fujifilm X-E1 front right, black, flash raised.

"Users can expect the best noise-free images from ISO 100 all the way to 800. From ISO 1,600, some noise starts to creep into images but details remain intact. When you venture beyond ISO 3,200, quality is still pretty good although you'll notice a scattering of grain. ISO 12,800 was the tipping point for us. We were quite impressed by the X-E1's lowlight performance and we think that shutterbugs who enjoy shooting in ambient light such as dark interiors would enjoy using this camera. . . . read more

Ephotozine names Olympus Live-time mode as best new technology of 2012, we'd add Oly's 5-axis IBIS to that.

Olympus E-M5 black with both grips attached.

"It's a feature for long exposures caused by low light or when you're using a dark ND filter such as the Lee Filters Big Stopper. The camera starts recording and gives a screen preview at intervals as the exposure builds. You can adjust the time between previews through the camera's menu. So, for example, when shooting at ISO200 you can view 24 steps with intervals of between 0.5 sec and 60 seconds. As the ISO increases the number of steps you can view decreases. You set an interval rate that will show gradual build up of exposure so you can stop when the correct exposure is reached." . . . read more

Nikon 1 V2 review at PhotographyBlog.com: Nikon's second attempt at the 'V' moniker, is a much more serious effort than its dimunitive size hints at.

Nikon 1 V2 Front, black, with raised flash.

"Nikon have made some big changes to the original V1 to make this new model more appealing to keen enthusiasts, and in most regards they've succeed in making the new V2 a much more serious proposition. The new handgrip, shooting mode dial and control dial in particular make the V2 quicker to use, while the pop-up flash makes it more versatile, albeit at the expense of the V1's stylish and slimline appearance. We're also pleased to see the high image quality has been maintained despite a big jump in the megapixel count, although the high price tag of £799 / $899 is still rather eye-watering for a camera with such a small sensor. . . . read more

Olympus M.Zuiko Digital 75mm f/1.8 Lens Review at the Phoblographer: So good, it redefines the standards at which micro four thirds lenses should be built.

Olympus M.zuiko Digital 75mm f/1.8 silver with hood.

"The build is the first sign of quality, but the excellence continues throughout the optics and the result is nothing short of amazing. Images are sharp, pleasing to the eye, and color pops beautifully. Weight could certainly be a concern if you’re travelling with this lens, or shooting with a smaller body like an E-P3 or an E-PM1, but the tradeoff is well worth it–a tremendously good portrait lens at what I believe to be a fair price. $899 is not exactly what I would call cheap, especially in the world of micro four thirds, but it’s an absolute bargain for a lens of this quality. If a high quality portait lens is what you’re looking for, then I have no doubt that this is the one for you." . . . read more

Fujifilm X-E1 Review at Digital Photography School: Another exceptional Fuji X-mount camera, too bad about the non-tilting rear screen.

Fujifilm X-E1 silver, top side.

"Movies in Full HD 1920×1080 can be shot. While the AF seems to function quite well in movie mode you can’t shoot stills mid video. An unexpected joy (for this film born and bred feller) is the aperture ring set into the lens: as you roll it around, it’s a joy (with the 18-55mm zoom anyway) to see the lens aperture shrink down to f22! How many digicams will allow you that pleasure!
As with some other models, the XE-1 can shoot high quality motion panorama stills, sized up to 5120×1440 pixels. It’s an
. . . read more

Canon EOS M review at PhotoReview.au: We have no idea about its position in the marketplace, and Canon appears equally clueless.

Canon EOS M black, with EF 70-200mm L IS f2.8 lens attached.

"Essentially, the EOS M is just the beginning to what we hope will develop into a fully-fledged system that offers at least one body for serious photographers. In the interim, anyone considering the EOS M as a DSLR replacement will be less than satisfied with the lack of a viewfinder and the camera's relatively sluggish response times, even though they will have no complaints about the quality of either still pictures or video clips.

If you're considering the EOS M as a compact back-up body for an EOS DSLR user, it's certainly a contender – provided . . . read more

Sony Nex 6 Review at Camera Hoarders: Excellent shooter, with a quirky menu system and a not so speedy AF system.

Sony NEx-6 Black with lens, Front left side.

"Battery is a classic NP-FW50 unit used in all NEX bodies and in many SLT cameras. It is good for around 300 shots what is an average for mirrorless cameras. Keep in mind, if you intent to use the new motorized E 16-50mm lens, it will last even less. 16-50 is very power-hungry and in my experience will suck the battery dry after around 200 shots.

The one thing I really hated about NEX-6 is USB charging. By itself, it is a good option but many users will probably have . . . read more

Fujifilm Finepix X-E1 review at TrustedReviews:

Fujifilm X-E1 black, no lens, sensor exposed.

"While it might be tempting to think of the X-E1 as a stripped back X-Pro1, that does it something of a disservice in that the X-E1 is a great camera in its own right. Gifted with the same premium grade construction and finish, the X-E1 feels more refined and balanced than it’s more expensive sibling. While some may lament the removal of the hybrid viewfinder found in the X-Pro1, the truth is that the X-E1’s sharper, crisper EVF more than makes up for this, though the rear screen remains, at 2.8in and 460k-dots, somewhat underpowered for a camera of this price. Our only other issue is the . . . read more

Fujinon Super EBC XF18-55mm f/2.8-4 R LM OIS lens review at Photo Review

On the X-E1 body the review lens provides fast, quiet and smooth auto focusing, while also handling smoothly for manual focusing. It was possible to focus very accurately in manual mode, particularly with the viewfinder, although the monitor was also usable, despite its relatively low resolution. Subjective assessments of test shots showed them to be sharp across most of the frame. Image stabilization was reliable for up to three stops and able to be pushed a further stop (or more) if you're prepared to tolerate some misses.
Imatest showed it to be capable of matching – and at times exceeding – expectations for the X-E1's 16-megapixel sensor, with best performance between one and three f-stops smaller than the maximum aperture. The graph below shows the results of our Imatest tests at the four indicated focal lengths.
. . . read more

Olympus Digital ED 60mm f/2.8 Macro Lens Review from a guy who never shoots macro, that's Steve Huff.

Olympus Digital ED 60mm f/2.8 Macro Back

"Even for a guy who has not a “Macro Guy” I feel this lens could add something to my Micro 4/3 kit. It continues the streak from Olympus with high quality super glass that seems to be created from magic lens elves. If you like to shoot Macro or get in close I can not imagine ANYONE being disappointed in this lens. It is built well, feels solid, has nice auto focus performance, is 100% silent, is sharp and even the manual focus is smooth, silky and easy to use. There is some minimal CA in certain extreme situations (high contrast with full light behind subject such as tree branch can create some purple . . . read more

Sony NEX-5R Review at PhotographyBlog.com: Not as stylish as a some others, but comes loaded with goodies and excels in its photo and video taking duties.

Sony Nex 5r front, black, no lens with sensor exposed.

"With its tiny body, boxy styling and big lenses, the NEX-5R still lacks the charm of the Olympus PEN series or the futuristic styling of the Panasonic G range, but don't let that put you off what is otherwise and excellent camera that delivers fantastic stills and videos. While the touchscreen interface feels almost entirely natural, especially with the addition of the touch shutter function, it is still entirely possible to use the camera fully via the external controls, so much so that you may not realise that the NEX-5R can be controlled via the tilting screen at all." . . . read more

Sony NEX 6 goes the DXO Mark way, found to be using the same sensor as the NEX 5R/5N.

SOny NEx 6 black with zeiss lens.

"The aim of the NEX-6 is to offer customers the performance of a DSLR in a compact system camera body. Compared to the NEX-5R below it, the NEX-6 provides an OLED electronic viewfinder (EVF) with 2.359k dots and a useful built-in flash with a Guide Number of 6, to help when you need a little extra light. The viewfinder is the same as the one found on the NEX-7 model and it saves you having to rely on the LCD screen when taking pictures or reviewing what you’ve captured.  While the camera is provided with an external flash as well, having a built-in flash means you can leave the external flash at home . . . read more

Nikon 1 V2 English manual now available for download, and remember to only use genuine Nikon Brand accessories, or else :)

Nikon 1 series V2 front with lens, black

"Only Nikon brand accessories certified by Nikon specifically for use
with your Nikon digital camera are engineered and proven to operate
within its operational and safety requirements. THE USE OF NON-NIKON
ACCESSORIES COULD DAMAGE YOUR CAMERA AND MAY VOID YOUR NIKON WAR-
RANTY."

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